They all carry the awesome marks of EAD Tokyo’s influence, plus an obvious inspiration from 2D Mario tradition. There were four levels available for demo: a classic grassy stage, a castle in the sky, a level high above the hilltops, and an airship gauntlet followed by a boss battle. And I found it a little strange given that the Circle Pad should theoretically already allow for this, but you need to hold down a dedicated Dash button to run quickly, similar to the 2D Mario games and Super Mario 64 DS. New to Mario is the somersault move, which seems to be a replacement for the punching and kicking of Super Mario 64 and the Spin Attack of Super Mario Galaxy. It’s a mechanic borrowed straight from New Super Mario Bros. You can tap the item’s icon on the lower screen at any time to deploy your stocked-up item should you lose your abilities and have need of them again later in the level. When you’re already in powered-up form, if you manage to collect another of the same pickup, it’ll get added to your inventory. No, you can’t fly with the Tanooki Suit in this game, but you can perform a Flutter Kick in midair to extend the length of your jump as well as flick your tail to strike grounded blocks and defeat enemies. In the demo, the only additional upgrades were the Fire Flower, which controls in exactly the way you’d think it would – tap a button, toss a fireball – the invincibility Starman, and the Super Leaf, which transforms you instantly into Tanooki Mario.
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As Small Mario, it’s one hit and you’re dead, so you’ll have to look in all the question-mark blocks to find a Super Mushroom so you can restore your health and your full size.Īdditional powerups also borrow from classic Mario: they’re not incorporated as required puzzle-solving or exploratory elements as they were in Galaxy, they’re straight up powerups that aren’t necessary to complete a level but make the effort a whole lot easier. You’ll start off the demo areas as Super Mario, but if you get hit you’ll lose your cap and get downgraded to Small Mario. Super Mario 3D reverts back to its old-school roots in this department. I think my favorite change, though, is the way the powerups work in this game. The camera was generally pretty fixed, but you can shift the angle slightly using the D-pad or a pair of camera control icons on the touch screen so you can get a better look at an upcoming platform to more effectively judge the distance. titles while still giving all levels a healthy bit of the third-dimension along with full analog control. Super Mario 3D does an excellent job of adhering to the design philosophies of the Super Mario Bros. While I always liked 3D Mario, I’ve also been extremely cognizant of the fact that in terms of design and gameplay style it’s a totally different ballpark from the series’ side-scrolling roots. This new approach to 3D Mario level design lets you do a lot of things that previously were limited to 2D Mario titles, such as kick Koopa shells so that they bounce back and forth off walls and blocks or walk along tightropes bridging the gaps between platforms.
The level design is also a neat fusion between the already-largely linear levels of Galaxy 2 and the design philosophies behind New Super Mario Bros. Levels are played with a mostly fixed camera perspective, which often simulates a sort of 2.5D effect – you’ll mostly run along a linear “side-scrolling” path, but you have the option to run towards or away from the screen as well. If anything, it’s a blend of New Super Mario Bros.
I want to bust one myth right off the bat: nothing about this game resembles Super Mario 64, at least not from the demo levels I experienced. I got some extensive playtime with it on the show floor so I could muster a solid impressions piece – I probably visited it more than any other 3DS game because I really wanted to make sure I knew what I was talking about, what with it being the most mysterious title in the current 3DS lineup.ĭid it live up to my lofty expectations? You’ll have to read on to find out. Going into E3, Super Mario 3D was one of my top anticipated already-announced titles – largely because the team behind it, EAD Tokyo, was the same group responsible for the two Super Mario Galaxy games.
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